„Viele Künstlerinnen und Künstler der digitalen Kunst haben früh erkannt, dass die digitale Revolution immer eine soziale und gesellschaftsrelevante Komponente aufweist. Es ist das der Verdienst von Manuela Naveau, dies in differenzierter Weise in ihrem Werk „Crowd and Art“ aufzuzeigen.“
Meier, A. Rezension „Crowd and Art“. HMD54, 634–635 (2017).
MOST IMPORTANT PUBLICATIONS (quality-assured publications)
Naveau, M., Wöran, A. (2025, forthcoming). „Sounding Out AI“. Airea: Arts and Interdisciplinary Research, Artificial Intelligence in Interdisciplinary Creative Practice: Ethics and Aesthetics. Edinburgh, UK: Edinburgh University (accepted; review pending).
Naveau, M., Wöran, A. (2024). Feminist AI at Interface Cultures Linz. Wenn Digitale Kunst hegemoniale, cisgender Weltansichten dekonstruiert. In: Netzwerk Frauen- und Geschlechterforschung NRW 2024/Nr. 55 (pp. 53–60). Online at: https://nbn-resolving.org/urn:nbn:de:hbz:465-20241217-081258-1.
Naveau, M. (2022). Interface Cultures – Imaginary Worlds Viewed Through Local Glasses. In Weidinger, A., Müller-Nittel, F., Reindl, M., the OÖ Landes-Kultur GmbH (eds), Meta.space. Visions of Space from the Middle Ages to the Digital Age, (pp. 485 – 493). Berin: DISTANZ Verlag Gmbh.
ISBN 978-3-85474-390-3.
Naveau, M. (2021). Crowd and Art – Über die Logik vernetzter Beteiligungsmodelle. In L. Kaelin, A. Telser, & I. Hoppe (Eds.). Bubbles & Bodies – Neue Öffentlichkeiten zwischen sozialen Medien und Straßenprotesten, transcript Verlag. ISBN 978-3-8376-5020-4.
Naveau, M. (2020). The Logic of Participation in Digital Art and Network Culture. In: Shifting Interfaces: An Anthology of Presence, Empathy, and Agency in 21st-Century Media Arts, Leuven University Press.
ISBN 978 94 6270 225 7.
Naveau, M. (2017). CROWD AND ART – Kunst und Partizipation im Internet, Taschenbuch, transcript Verlag. ISBN 978-3-8376-3678-9.
Naveau, M. (2017). Utopias of Knowledge – Forms of Representing Thinking in the Context of an Exhibition. In: MUSEOLOGIA & INTERDISCIPLINARIDADE Vol. 6, n 12, Jul./ Dez. de 2017.
https://doi.org/10.26512/museologia.v6i12.16329
Naveau, M. (2017). Ars Electronica Linz – “The longing for new worlds knows no bounds”. In J. Rogers, I. Papadimitriou, & A. Prescott (Eds.). BRIDGING OPEN BORDERS – V&A Digital Design Weekend London.
OTHER PUBLICATIONS AND WORKS (full list 2000-2024)
Naveau, M. (2024). Lynkeus Traum. University of Arts Linz (AT). Blog online at: https://ars.electronica.art/hope/de/lynceus-dream/
Naveau, M. (2024). Lynkeus Traum. Kunstuni Campus@Ars Electronica Festival. In Stocker, G., Jandl, M. (Eds), Ars Electronica 2024 – HOPE. Who will turn the tide (pp. 138-174). Berlin, Germany: Hatje Cantz.
Lamoncha, F., Mignonneau, L., Naveau, M., Ortner, M., Wöran, A., et al. (2024). NOUS. Interface Cultures Exhibition Ars Electronica Festival 2024. Exhibition catalog.
Naveau, M., et al. (2024). DATAMORPHOSIS. Research posters and exhibition curation of artistic prototypes in collaboration with Elektron Festival Esch/Luxembourg and University of Luxembourg, Faculty of Science, Technology, and Medicine, Department of Computer Science. Esch/Belval, Luxembourg. Online at: https://www.kunstuni-linz.at/en/university/organisational-structure-1/institutes/media/interface-cultures/news/news-detail/datamorphosis
Joler, V., Naveau, M., et al. (2024). Critical Data On Tour. Research posters and artistic intervention in public space by PhD students and in collaboration with WIP Festical, Cyens Centre Cyprus. Nicosia, Cyprus. Online at: https://www.kunstuni-linz.at/en/university/organisational-structure-1/institutes/media/interface-cultures/news/news-detail/wip-arts-technology-festival-2024
Naveau, M., Spinola-Elias, Y., Stylianou-Lambert, T. (2024). BIP on Critical Data. What is wisdom in a calculated world? (Erasmus+). Online at: https://www.kunstuni-linz.at/fileadmin/media/institute/medien/abteilungen/interface_cultures/news_archiv/2024/0924_BIP_Folder_Web.pdf
Naveau, M. (2024). Resonating Selves & Quantified Perspectives (Part 1). CLOT Magazine. Online at: https://clotmag.com/oped/resonating-selves-quantified-perspectives-part-i
Naveau, M. (2024). Resonating Selves & Quantified Perspectives (Part 2). CLOT Magazine. Online at: https://clotmag.com/oped/oped-resonating-selves-quantified-perspectives-part-ii
2023
Naveau, M. (2023). Code and Algorithm – Wisdom in a calculated world. Exhibition curation. Brussels, Belgium: IMAL.
Naveau, M., et al (2023). Moderation of Laser Talk Brussels: What is wisdom in a calculated world? Online unter: https://www.imal.org/en/events/lasertalk-codealgo
Naveau, M. (eds.) (2023). Feminist AI. Public Lecture Series. Talks and Workshops.
Naveau, M. (eds.) (2023). Quantified Perspectives: Rethinking Data Narratives. Research posters, exhibition of prototypes in collaboration with University of Luxembourg, Faculty of Science, Technology, and Medicine, Department of Computer Science. Esch/Belval, Luxembourg.
Naveau, M., Mignonneau L., Lamoncha, F., Ortner, M. (2023). Resonating Selves. Interface Cultures Exhibition Ars Electronica Festival 2023. Exhibition and catalog.
Naveau, M., Hajnal, M., Hochleitner, S. (2023). radical collectives. Kunstunicampus@Ars Electronica Festival. In Stocker, G., Jandl, M. (Eds), Ars Electronica 2023 – Who Owns The Truth (pp. 164-201). Berlin, Germany: Hatje Cantz. ISBN 978-3-7757-5602-0.
Hajnal, M., Hochleitner, S., Naveau, M., et al (2023). radical collectives. Kunstuni Campus at Ars Electronica Festival 2023. Blogbeitrag online unter: https://ars.electronica.art/who-owns-the-truth/en/kunstuni-linz/
Naveau, M., Schnekenburger, R. (2023). Wenn die Wale schlafen geh´n, catalogue contribution. Linz/Austria: OÖKunstverein.
2022
Naveau, M. (2022). Interface Cultures – Imaginary Worlds Viewed Through Local Glasses. In Weidinger, A., Müller-Nittel, F., Reindl, M., the OÖ Landes-Kultur GmbH (eds), Meta.space. Visions of Space from the Middle Ages to the Digital Age, (pp. 485 – 493). Berin: DISTANZ Verlag Gmbh. ISBN 978-3-85474-390-3.
Naveau, M. (2022). Brauchen Roboter Rechte. In Fronhofer, M., Heher, T. (Eds), The Gap – 25 Fragen zur Gegenwart; Ein Vierteljahrhundert The Gap (pp. 44-45). Wien: The Gap.
Naveau, M. (2022). Von Schwarzen Schwänen…. University of Art and Design Linz. In Stocker, G., Jandl, M. (Eds), Ars Electronica 2022 – A New Digital Deal (pp. 208-221). Berlin, Germany: Hatje Cantz.
2021
Naveau, M., Nüsslein, J. (2021). Loops of Wisdom. Kunstuniversität Linz Campus at Ars Electronica Festival. In Stocker, G., Jandl, M. (Eds), Ars Electronica 2021 – A New Digital Deal (pp. 300-330). Berlin, Germany: Hatje Cantz.
Naveau, M. (2021). Academy of Thoughts. Critical Data at Interface Cultures. Talks and Workshops.
Naveau, M. (2021). Crowd and Art – Über die Logik vernetzter Beteiligungsmodelle. In Kaelin, L., Telser, A., Hoppe, I (Eds.). Bubbles & Bodies – Neue Öffentlichkeiten zwischen sozialen Medien und Straßenprotesten, transcript Verlag.
Sommerer, C., Mignonneau L., Naveau, M., Lamoncha, & F., Bevilacqua, D. (2021). INTER FACE CULT. Interface Cultures Exhibition 2021. Exhibition catalog.
Naveau, M., Lamoncha, F. (2021). Digital Square – Interface Cultures Meets Europark. Exhibition catalog.
2020
Sommerer, C., Naveau, M. (2020). The Wild State. Kunstuniversität Linz Campus at Ars Electronica Festival. In Stocker, G., Schöpf, Ch., Leopoldseder, H. (Eds), Ars Electronica 2020 – A global journey mapping the „new“ world – In Kepler´s Gardens (pp. 300-302). Berlin, Germany: Hatje Cantz.
Naveau, M. (2020). Ars Electronica Export 2020 – artists, researchers and creative technologists and their knowledge in the context of a curatorial practice. In Stocker, G., Schöpf, Ch., Leopoldseder, H. (Eds), Ars Electronica 2020 – A global journey mapping the „new“ world – In Kepler´s Gardens (pp. 426-431). Berlin, Germany: Hatje Cantz.
Naveau, M. (2020). The Logic of Participation in Digital Art and Network Culture. In: Shifting Interfaces: An Anthology of Presence, Empathy, and Agency in 21st-Century Media Arts, Leuven University Press.
2019
Naveau, M., Mignonneau, L., Sommerer, C., Jazbec, M., Lamoncha, F., and Ortner, M. (2019). TRANSCODE! A call to fiction and to new translation processes of our reality. In Stocker, G., Schöpf, Ch., & Leopoldseder, H. (Eds), Out of the Box The Midlife Crisis of the Digital Revolution (pp. 256-264). Berlin, Germany: Hatje Cantz.
Naveau, M. (2019). New Keywords on Art. In PUBLIC ART – The Monthly Public Art Magazine, Vol. 148 (pp. 256-264). Interview in PUBLIC ART Magazine Korea.
Naveau, M. (2019). Ars Electronica Export. In Stocker, G., Schöpf, Ch., & Leopoldseder, H. (Eds), Out of the Box The Midlife Crisis of the Digital Revolution (pp. 432-447). Berlin, Germany: Hatje Cantz.
Naveau, M. (2019). 100% BestOff. In Kunstuniversität Linz – BEST OFF 2018. Eigenverlag.
2018
Naveau, M. (2018). Ars Electronica Export. In Stocker, G., Schöpf, Ch., & Leopoldseder, H. (Eds), AI – Artificial Intelligence – Das andere Ich (pp. 378-385). Berlin, Germany: Hatje Cantz.
Naveau, M. (2018). Travellers between Worlds and the Longing for New Worlds. In Golding, S. (Eds), Parsing Digital (pp. 59 – 65). London, UK: Austrian Cultural Forum.
Naveau, M. (2018). BestOFF/ON. In Kunstuniversität Linz – BEST OFF 2018. Eigenverlag.
2017
Naveau, M. (2017). Ars Electronica Linz – “The longing for new worlds knows no bounds”. In Rogers, J., Papadimitriou, I., Prescott, A. (Eds.). BRIDGING OPEN BORDERS – V&A Digital Design Weekend London. https://digitransglasgow.github.io/bridgingopenborders/contributions/18_ArsElectronicaLinz.html.
Naveau, M. (2017). Ars Electronica Export. In Stocker, G., Schöpf, Ch., & Leopoldseder, H. (Eds), ERROR – the Art of Imperfection (pp. 382-399). Berlin, Germany: Hatje Cantz.
Naveau, M. (2017). CROWD AND ART – Kunst und Partizipation im Internet, Taschenbuch, transcript Verlag (Monographie basierend auf Dissertation).
Naveau, M. (2017). Utopias of Knowledge – Forms of Representing Thinking in the Context of an Exhibition. In MUSEOLOGIA & INTERDISCIPLINARIDADE Vol. 6, n 12, Jul./ Dez. de 2017.